Right now the CONSTANCIA album is being mixed by Fredrik Folkare. We have just received the first version and it sounds awesome! However there's always one disturbing thing, which is my own fault. When I've finished a recording I make a, very rough and very raw, pre-mix. It's not even worth calling a mix actually, more like getting the levels up, some odd delay and compressor on some tracks. It's more of a rough mix I do to check that everything sounds fine before the final mix. Sitting in the mixing room and finding out parts are missing, files are corrupt or there are clicks on the tracks, is not good (to put it mildly). So, I compile all the tracks, clean them up, bounce them to one nice file per track starting at the same starting-point. Then I mix it down to a track, burn it onto a CD and listen the hell out of it to detect and remove any errors before it's too late.
The problem is, when I get the final mix my brain is so set on the pre-mix sound I tend to listen for the wrong things. I've grown to love that really dry and in your face sound, so when I get the final mix I need at least 4-5 times before I "adjust" and reset my brain. Then I can listen unbiased.
It sort of the same way with demo-solos. Some of the best guitar solos are on demos and it's totally impossible to recreate them in the studio. Therefore I now always record the demos with a proper solo sound and to a click, so it's possible to use it in the final recording. Sometimes you get that special feel, tone, lick or whatever that just seems impossible to recreate.
Favourites of the week:
WOLF - Devour - Classic metal!
OPETH - Watershed - Damn this is a great album!!
BLACK PEARL - s/t - Forgotten gemm with Lisa Tingle on vox!
IL ROVESIO DELLA MEDAGLIA - Io Come Io - Killer Italian prog!